A 2005 Gold Medallion finalist! Some introductions to the New Testament highlight the historical contexts in which the New Testament literature was written. This introduction gives particular attention to the social, cultural and rhetorical contexts of the New Testament authors and their writings. Few introductions to the New Testament integrate instruction in exegetical and interpretive strategies with their customary considerations of authorship, dating, audience and message. This introduction capitalizes on the opportunities, introducing students to a relevant facet of interpretation with each portion of New Testament literature. Rarely do introductions to the New Testament approach their task mindful of the needs of students preparing for ministry. This introduction is explicit in doing so, assuming as it does that the New Testament itself--in its parts and as a whole--is a pastoral response. Each chapter on the New Testament literature closes with a discussion of the implications for ministry formation. These integrative features alone would distinguish this introduction from others. But in addition, its pages brim with maps, photos, points of interest and aids to learning. Separate chapters explore the historical and cultural environment of the New Testament era, the nature of the Gospels and the quest for the historical Jesus, and the life of Paul. This introduction by David A. deSilva sets a new standard for its genre and is bound to appeal to many who believe that the New Testament should be introduced as if both scholarship and ministry mattered.
Friday, December 9, 2011
Thursday, December 8, 2011
Wednesday, December 7, 2011
Poor castaways. Each week they would devise a way off the island. Each week Gilligan would thwart their escape usually with the best of intentions.
Years after the show ended, its creator, Sherwood Schwartz, admitted that each of the characters represented one of the seven deadly sins Pride (the Professor), Anger (Skipper), Lust, (Ginger), and the rest. Gilligan was supposed to be Sloth.
But a closer viewing indicates that the island may well have been Hell — and the red-clad Gilligan the devil who kept them on his island.
The greatest part of the metaphor, though, is that if the others ever wanted to get off the island, what they needed to do was kill Gilligan — and that each of us has our own inner Gilligan, that sweet-natured, well-meaning part of us that always sabotages us from getting what we really want.Maybe if we truly want to succeed in life, we need to kill our own inner Gilligan.